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Message posted on 16/02/2021

CFP (4S 2021): Nonhuman Phenomenology and Technoscientific Intersubjectivity

                Dear colleagues,

Claire Isabel Webb and I invite submissions for our open panel
“Nonhuman Phenomenology and Technoscientific Subjectivity,” to be held at
the 4S  conference this year. We invite
you to consider this question: “How do epistemologies of the senses—the
confrontation of the gaze, the immersive quality of sound, the intimacy of
touch—cultivate interspecies knowledge-making?”

Located in Toronto from October 6th through the 9th, this hybrid conference
will feature both in-person and virtual components, under the theme of
“Good Relations: Practices and Methods in Unequal and Uncertain Worlds.”
Abstracts will be due on March 8th and should be uploaded to the 4S platform

Please feel free to circulate our CFP among your relevant networks, and do
not hesitate to reach out to either of us if you have any questions about
the panel or the submission process.

Thank you,


129. Nonhuman Phenomenology and Multispecies Intersubjectivity

Vilem Flusser wrote that human knowledge of animal minds must navigate
between the “Scylla of anthropocentric arrogance” and the “Charybdis of
nostalgie de la boue” (2012). While nonhuman modes of sensing are often
athwart to or simply alien from human phenomenologies, technoscientific
actors enact enmeshments with such Others in radical forms of relational
world-making—for instance, with brittlestars (Barad 2007) and with dogs
(Haraway 2008). This panel explores the discourses, values, and practices
through which scientists, technologists, and designers speculate on and
care about nonhuman modes of sensation.

Over the past decade, scholars have described how our knowledge of nonhuman
phenomenology is mediated by language (Kohn 2013), sentiment (Sharp 2019),
gesture (Kalshoven 2018), and care (Wanderer 2018; cf. Candea 2010).
Building on this work, we invite panelists to reflect on how the production
of knowledge about nonhuman minds informs experimental and technical design
and, in turn, how such designs affect the epistemological possibilities of
knowing “what it is like to be” nonhuman (see Nagel 1974). How do
epistemologies of the senses—the confrontation of the gaze (Derrida 1997),
the immersive quality of sound (Roosth 2009), the intimacy of touch
(Hayward 2010)—cultivate interspecies knowledge-making?

We welcome papers from a range of theoretical, methodological, and topical
perspectives that examine the dialectic of human perception and nonhuman
sensibility. Submissions may include empirical studies of the experimental
and technical infrastructures through which nonhuman phenomenologies are
grasped or theoretical examinations of human-nonhuman intersubjectivity
(not just between biological organisms but also with AI and machines).


Keywords: Nonhuman phenomenology; multispecies and animal studies; design;
sensation and perception; intersubjectivity

Richard Alexander Fadok, PhD Candidate
Program in History, Anthropology, and Science, Technology, and Society
Massachusetts Institute of Technology
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