Message posted on 08/01/2020
Reminder: CfA - Disappearance, maintenance and reinvention in the biographies of technical objects - 8th STS Italia Conference - 18 -20 June 2020, Trieste
***apologies for cross-posting*** <br> <br> <br>Dear colleagues, <br> <br>We are pleased to invite you to submit abstract proposals to our panel* <br>"Disappearance, maintenance and reinvention in the biographies of technical <br>objects.* *Perspectives on the transformative vulnerabilities of technology <br>at the intersection between STS and Media Studies" *(TRACK 13) at the 8th <br>STS Italia Conference “Dis/Entangling Technoscience: Vulnerability, <br>Responsibility and Justice”, University of Trieste, Italy, 18-20 June 2020. <br> <br>Follow this link: https://www.stsitaliaconf2020.com/call-for-abstracts and <br>submit a title, and a short abstract of less than 300 words by February <br>9th. If you have any questions please email myself at <br>sergio.minniti@unipd.it <br> <br>Best regards, <br> <br>Sergio Minniti, Diego Cavallotti and Simone Dotto <br> <br>---- <br> <br>Track: *Disappearance, maintenance and reinvention in the biographies of <br>technical objects.* *Perspectives on the transformative vulnerabilities of <br>technology at the intersection between STS and Media Studies* <br> <br>Convenors: <br>Sergio Minniti, University of Padova, sergio.minniti@unipd.it <br>Diego Cavallotti, University of Cagliari, diego.cavallotti@unica.it <br>Simone Dotto, University of Udine, simone.dotto@uniud.it <br> <br>*Description of the track:* <br>Over the last years, we have seen an increasing interest in the overlapping <br>areas of STS and Media Studies towards examining the multifaceted <br>vulnerabilities of technical objects. Within STS, research on maintenance <br>and repair practices has been attracting growing attention since the works <br>of Susan Leigh Star (1999) and Marianne de Laet and Annemarie Mol (2000), <br>which set the ground for the study of the vulnerability of sociotechnical <br>networks. A number of contributions have then addressed issues relating to <br>obsolescence and fragility, durability and tinkering, adaptation and <br>re-use, to the extent that a distinctive interdisciplinary field of inquiry <br>– Maintenance and repair studies (MRS) – has emerged. Among the valuable <br>insights offered by this field of inquiry is the transformative power of <br>moments of vulnerability, which becomes evident when we consider how <br>innovation emerges from obsolescence, maintenance and repair, and how new <br>sociomaterial, ethical and political orders, as well as new geographies of <br>responsibility are established through the practices that deal with <br>technical vulnerability. <br> <br>Similarly, in Media Studies, growing attention has been paid to the to the <br>ever-shifting relations between “old” and “new” media, to the <br>suppressed, <br>the outmoded and the technological dead ends in media history – see, for <br>instance, Huhtamo and Parikka’s Media Archaeology: Approaches, <br>Applications, and Implications (2011) - to how “old” media may survive in <br>residual conditions and be reactivated or reinvented in multiple ways (see <br>Acland’s Residual Media [2007]), and to how allegedly “dead media” can <br>be <br>materially revived by a politically infomed art method which Jussi Parikka <br>and Garnet Hertz notoriously described as “hardware hacking” (2012). <br> <br>Way beyond the strictly historiographic level, the discussion on these <br>topics raised new social concerns, problematising the effects of the <br>planned obsolescence pursued by commercial industry as well as the material <br>aspects of mass-produced technology – which enhanced a focus on the <br>conditions of hardware circulation, accumulation, disposal, decomposition, <br>recycling and renewal also from an ecological angle. <br>This growing awareness that the study of media change should include their <br>life cycles as material objects, reflects a more general interest in taking <br>into account the moments of transformation in the social biographies of <br>media technologies which often correspond to their critical moments of <br>vulnerability. <br> <br>We aim to enable a fruitful discussion between exponents from the fields of <br>STS and Media Studies concerning the manifold processes of transformation <br>fostered by or related to the vulnerabilities of technical objects over the <br>course of their biographies. Thus, we call for papers which address, among <br>others, questions about differences in understandings and vocabularies as <br>well as explorations of empirical, methodological, and theoretical <br>overlappings. <br> <br>Deadline for abstract submission: *February 9, 2020* <br> <br>*Abstracts submission* <br>Submission (to the conference email address <br> and to the emails of convernors' selected track) <br>should include: <br> <br>1. Author's name and surname, affiliation and email address <br>2. Presentation title <br>3. Abstract (less than 300 words) <br> <br> <br>Sergio Minniti, PhD <br>Research Fellow <br>Department of Philosophy, Sociology, Education and Applied Psychology <br>(FISPPA) <br>University of Padova, Italy <br>_______________________________________________ <br>EASST's Eurograd mailing list <br>Eurograd (at) lists.easst.net <br>Unsubscribe or edit subscription options: http://lists.easst.net/listinfo.cgi/eurograd-easst.net <br> <br>Meet us via https://twitter.com/STSeasst <br> <br>Report abuses of this list to Eurograd-owner@lists.easst.netview formatted text
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